Creator and musician Yinon Tayeb opens the Days of Mercy and Forgiveness with a contemporary arrangement in a Jewish groove and world music flavors of the piyut ‘Bizachri Al Mishkavi,’ on the way to a new album and a ‘Masa Al Haruach’ show.
With the beginning of the month of Elul and the Days of Mercy and Forgiveness, musician and composer Yinon Tayeb releases a new single: ‘Bizachri Al Mishkavi‘ – a refreshing and contemporary arrangement, in a Jewish groove with world music flavors of the ancient and well-known piyut attributed to Rabbi Yehuda Ibn Bilam. The new arrangement gives a fresh and surprising musical angle to one of the most prominent passages in the prayers of forgiveness.
Tayeb‘s connection to “Bizachri Al Mishkavi” was born from an ongoing experience during the prayers. “I have a relationship with this piyut for years,” he says. “Every year when we came to ‘Bezachri al Mishkavi‘ at Selichot, I naturally heard a reggae rhythm and groove in it. Something in the weight and flow of the lyrics always made me think that one day I would record it and give it this interpretation.”
Along with the rhythmic rhythm, Tayeb also connects to the depth of the pleading lyrics, which are based on verses from the Sefer Divrei Hayamim and bring to the forefront the plea for mercy and repentance. “This year I felt that the time had come to turn the feeling that accompanies me at every Selichot into a real work,” he explains. “The desire was to take the deep atmosphere of Elul and connect it to my musical language – original and contemporary Jewish music.”
In the years that have passed since the release of his first album “Baintayim” about 14 years ago, Tayeb has continued to create and release diverse singles, including “Oseh Shalom” and a reggae adaptation of “Lecha Dodi.” Alongside his work in his home studio, where he composes and produces his new songs, Tayeb currently combines his daily routine as a blessing with producing events in Jerusalem. “For me, music is a way to connect contemporary creation, Jewish sources, and a message of faith and closeness,” he notes. “Bizachri Al Mishkavi” joins a series of singles Taib has released in recent months (“Gur Aryeh Yehuda,” “Uvnay Otah,” and “Vayehi Binsoa Ha’Aron”). These songs are stops on the way to a full album and “Masa El Haruach” – a personal musical performance that combines original music, a personal story, and words of awakening from the worlds of Chassidus and Kabbalah, with a connection to the cycle of the year and also suitable for Selichot and awakening evenings.

Some songs are born from a thought, and some songs are just waiting for someone to stop and create them.
“Rotzeh Rak Otcha,” Eyal Bogat‘s new single, began with a tune he had been singing for years while studying the Gemara. From there, the lyrics, the melody, and the song that developed while working in the studio were born. The song was arranged and produced by David Ichielevich [Ishay Ribo]. Almost by accident, “Rotzeh Rak Otcha” became the first song the two worked on together: Bogat played Ichielevich a song he didn’t even know how to play, and David immediately said, ‘This is the first song we’re working on.’ What was planned to be a sketch developed into a real production in two days.

The lyrics touch on the desire to do the right thing, without turning Hashem’s work into calculations of reward and result. Until the moment when everything boils down to one simple sentence: “Rotzeh Rak Otcha.”
Eyal composed this idea in the words of the Alte Rebbe, “I desire neither your heaven nor your next world, I want you for yourself,” and gave it expression in his own words and in today’s language.

Musically, the song goes to a completely different place: a contemporary production with touches of deep house, a rhythm that brings with it a rhythm and a lot of exploding joy. It is no coincidence that it comes out precisely at the beginning of the month of Elul, a time of contemplation and closeness, but also of “Ivdu Es Hashem Bisimcha”

This is Bogat‘s second song, after “Chibuk Preida,” which was written following his service in the Yaser unit for the rescue of fallen soldiers, moved hundreds and received extensive and laudatory media coverage. This time he tells a different story, but continues from the same real place from which his music began, life itself.

At the beginning of the month of Elul and in anticipation of the High Holy Days, Yaakov Shwekey releases a new single called ‘Elul‘. Lyrics and composition by Yitzy Waldner and musical production by Maor Shoshan.

The month of Elul is a time when we quiet the hustle and bustle of everyday life, open our hearts, and find our way back to Hashem. It is a month that reminds us that even if we feel distant, Hashem is right here and waiting for us to take the first step. As the verse “Ani Lidodi ViDodi Li” suggests, when we turn to our Father in Heaven, He draws us closer to Him. The song ‘Elul’ reminds us to take advantage of this precious time when the King is in the field, and Hashem is right with us, expecting and waiting for us with open arms. Lyrics and composition by Yitzy Waldner and musical production by Maor Shoshan.

Singer and composer Elad Eldad launches “Sheas Harachamim” – a new and exciting single written and composed especially for the month of Elul, in connection with the days of mercy, forgiveness and awakening.

The song incorporates a unique textual code based on acronyms related to the essence of the month of Elul, giving the work an additional layer of depth.

The arrangement and musical production is entrusted to the composer and arranger Maor Chaim, who, together with Elad, creates a rich and exciting musical composition that puts the listener in the atmosphere of the High Holy Days.

Credits:

Lyrics and composition: Elad Eldad
Arrangement and musical production: Maor Chaim
Recorded at: Maor Studio Mixing and mastering: Maor Chaim
Still photography: Rami Zarnagar
Cover design: Ollygraph
PR: Viral

Singer, cantor, musician and composer Moshe Zaretsky launches a new and exciting single: “Heyay Na“, from the “Aneinu” prayer.

Zaretsky, who creates from a deep connection to the Jewish world, Tefilla and Emunah, brings in the new work a combination of the world of cantorship and prayer with a contemporary and accessible musical sound. The song touches on issues of faith, hope, coping and connection to Hashem, and invites the listener to a moment of intention and contemplation.

In recent years, Zaretsky has been active in the musical and Jewish arena, presenting a personal voice that connects heart, words and melody from the Israeli-Jewish story.

Lyrics: from the “Aneinu” prayer

Composition: Moshe Zaretsky

Arrangement and musical production: Nadav Biton and Netanel Ben Giat
Voices: Rotem Cohen
Mixing and Mastering: Sharon Reis Galim Studios
Cover Design: Elia Ezra
PR: BaFront

As Elul begins, Yehuda Green presents “Shuvu Elai,” a fast-paced and uplifting song created for this meaningful season.

The new release brings the timeless call of teshuvah to life with warmth, energy, and joy, carrying Yehuda Green’s signature sincerity and unmistakable musical spirit.

With its lively melody, “Shuvu Elai” reflects the joy of knowing that every Yid can reconnect, return, and begin again.

The words “Shuvu Elai” remind listeners that the door to Hashem is always open, capturing not only the seriousness of Elul but also its hope and possibility.

Avrumy Lunger’s vibrant arrangement and polished mix give the track a fresh, energetic sound, making “Shuvu Elai” an inspiring soundtrack for the journey toward the Yamim Noraim.

Credits:

Composed & Sung By: Yehuda Green

Music Arranged & Mixed By: Avrumy Lunger

Choir By: Michoel Weinberger

Cover: Yossi Zweig

Digital Marketing By: Motty Klein @MusicOnTime

The chuppah at a chasunah represents the deep connection that Klal Yisroel has with Hashem.  Rashi tells us that at Har Sinai, Hashem, so to speak, came out to greet the Yidden, just like we see the Chosson does by taking three steps to greet his kallah at the chuppah.  

L’shem Yichud Kudsha B’Richu Ushechintai- we say this before doing mitzvos because each time we do a mitzvah we set our intention to recreate this beautiful bond between us and Hashem.  We must internalize that Hashem gets incredible nachas and enjoyment from each mitzvah that we do.  He waits and anticipates our avodah, and knowing this is the true “Simcha shel Mitzvah”.

Take a moment at the next chuppah you are at to think deeply about what it represents.  This connection is often missed, but it is such a perfect time to meditate on the beauty in front of you and the fact that this experience is a mashal for our holy relationship with Hashem.

Produced by Mendy Portnoy
Directed by Binyamin Babayof
Gaffer – Lucas Ruderman
Grip – Maxwell Geofffrey
Assistant Camera – Chaim Gerlitz
Casting by Shalom Dershowitz

Cast: Chaim Ghoori, Tova and Meir Dershowitz, Alexandra and Yehuda Schupper, Eitan and Rachel Perlysky

Singer Shmulik Teitelbaum and keyboardist Yossi Rosenfeld are joining forces for an exciting and special musical project “Levi’s Nistarot“, designed to shed new light on the great and lesser-known works of the great singer Levi Falkowitz. The idea was born from Shmulik‘s deep and long-standing connection to Falkowitz‘s early albums, along with the desire to take hidden parts and present them to the audience in a current, authentic and powerful arrangement.

Naftali Landsman was entrusted with the arrangement and musical production, joined by the impressive voices of the members of the “Cappella” choir, who add volume and rich Chassidic harmony throughout the video.

Musical arrangement and production: Naftali Landsman

Voices: A Capella Choir

Production and management of the Avraham Yitzchak Shidla Project
Public relations and media: Israel Rosen

At the beginning of the Days of Mercy and the month of Elul, Avreimi Goldstein presents “Meracheim” – a moving and powerful work performed by singer Yanky Daskal, together with the Malchut Choir, Chasidimlech and Miracle Boy Ari Kraus.

The song brings with it a deep message of expectation of mercy, with touching lyrics that seek to inspire faith, confidence and closeness to Hashem.

The stirring melody was created by composer Ariel Dahari, the musical production is spectacularly arranged by Benny Laufer, alongside vocal arrangements by Pinchas Bichler and performed by the best musicians in the industry, with the mixing and mastering by producer Udi Damari.

The lyrics are taken from the words of Chazal in Midrash Rabbah, from the well-known incident of Rabbi Tanchuma and his city dwellers who prayed for rain. He went out and said to them, “Be filled with mercy, my sons, for the Holy One, blessed be He, is the one who fills you with mercy.”

And also from the words of “Orchot Tzaddikim” in Shaar HaSimcha: “He who knows with clear knowledge that Hashem is merciful to man, more than all who are merciful, and He watches over him in secret and in public.”

Composition: Ariel Dahari

Voices: Makhelet Malchut

Voices Children: Chasidimlech

Sound arrangement: Pinchas Bichler
Musical arrangement and production: Benny Laufer

Violins: Benny Laufer’s Symphony
Piano: Benny Laufer
Guitars: Avi Singolda
Bass guitar: Alon Hillel
Drums: Dekel Dvir
Horn: Chagai Shalom
Mixing and mastering: Udi Damari
Studios: Michael Tzi, Chaim Bennett, Chanoch Manela, Michael Weinberger
Cover: Shimon Rochman
Public relations and media: Israel Rosen

Some melodies are timeless. Some words are eternal. And every so often, they come together in a way that feels truly unforgettable.

At a recent wedding at Lake Terrace, The Shea Kaller Band introduced a heartfelt new rendition that moved everyone in the room.
The beloved melody of “Tatteh Tatteh”, originally performed by Yaakov Shwekey, was beautifully paired with the timeless words “I’m Eshkocheich”, a verse recited beneath chuppahs around the world every single night.

Performed by Shea Kaller, alongside Zanvil Weinberger, Shmueli Ungar, and the Yedidim Choir, this special rendition is sure to become a favorite for weddings and joyous occasions.

May we always merit to celebrate simchos together, and may the words “Im Eshkocheich Yerushalayim continue to remind us that even in our greatest moments of joy, our hearts remain connected to Yerushalayim.

Credits:
Music by: Shea Kaller Band
Arranged by: Shea Kaller
Performed by: Zanvil Weinberger, Shmueli Ungar & Yedidim Choir
Live sound: Dynamix Productions
Live sound engineer: Eli Leshinsky
Video filmed & edited by: Motty Engel – Engel Studios
Mixed by: Mendy Friedman
Cover design: Yechiel Landman
Project & stage manager: Yehuda Lubin
Yiddish lyrics: Hershy Weinberger
Israeli PR: Control

Special thanks to: Duvid Shtendig & Shaindy Katz