As we make final preparations for the new year and prepare to daven the tefillos of Rosh Hashanah, the sweet voice of Yanky Wulliger releases a beautiful cover of Yom Hadin. Originally performed by Motty Vizel and Nemouel.

As the baal tefillah stands before the amud, we pray that Hashem will answer his prayers and bless us with a sweet, beautiful year ahead. May the collective voices of Klal Yisrael storm the heavens, sealing us all in the Book of Life for health, joy, and peace.

Composed by Moshe Feld
Originally performed: Motty Vizel & Nemouel
Produced & Vocal production by: Mendy Fekete
Music Arranged & mix by Avrumy Lunger
Music video by Two Tone
Cover art by: Lazer Drazner
Digital marketing by Motty Media & Music Velt

Dear friends
I’m excited to share my latest release, “Avinu Malkeinu” — a heartfelt live studio performance of the timeless High Holiday prayer.
Recorded live with the incredible pianist Yaron Gershovsky, this rendition captures the raw emotion and beauty of these sacred words — Our Father, Our King.
As we approach the Yamim Noraim, I hope this melody inspires you and helps bring deeper meaning to these powerful words.

Wishing you & your family a Shana Tova – a year filled with reveled good in all for yourselves & your family
Please watch, listen and share.

Shalom

PRODUCTION CREDITS

Video Production

Producer: Shalom Jacobs
Director: Zvika Bornstein
Cinematographer: Ryan Carpenter
Video editor: Ryan Carpenter, Aryeh Sobol
Production Assistant: Otis Cernohouz

Musical Production

Musical Production: YSM Production
Composer & Arranger: Yossi Schwartz
Piano: Yaron Groshevskey
Cello: Mary Wooten
Woodwinds: Itai Goldberg

Recording & Audio

Studio: The Creamery Studio
Sound Engineer: Jonathan Awad
Mix & Mastering: Avi Reimi

Choir

Matt Sacher
Akiva Daitchman
Jacob Nuss
Matan Chananashvili

Renowned vocalist, composer and vocal coach Yoily Polatseck leader of the former Zemiros Choir presents his newest single Rachamim.

In the hours before Rosh Hashana when we all beg before the creator of the world to please have Rachamim (mercy) on us, Yoily releases a powerful and heart-wrenching song to help us prepare for the Yom Hadin.

Hashem is sitting on his throne and we ask that he sit on the throne of Rachamim and give us a good year, long life, Parnassah, Shidduchim, Children and everything else we need for the coming year.

May this new year be one filled of Bracha and Hatzlacha for everyone and may Hashem judge us with Rachamim.

Credits:
Intro/Song Composed: Yoily Polatseck
Vocal Production: Yoily Polatseck @YoilyStudio
Pre-Intro Written: Leib Yaacov Rigler
Music Arranged: Yoily & Shimon Strohli
Feat. Live Duduk
Mix/Master: Shimon Strohli
Cover Artwork: Shloime Spielman

Thanks
Yossi Zweig
Avrumi Polatseck
Chaim Blumenfeld
Shloime Zalmen Horowitz
Yossi Goldgrab & the TZ Shul

Follow/Book Yoily:
Instagram: https://www.instagram.com/yoilysings?stkn=MTdkdHo0cDdlNGJ1MQ==
Spotify: https://open.spotify.com/artist/2BH2UqjpSov999VwOYqQkG?si=EYLL6LPRS1-18klcqSkEfQ&utm_source=copy-link
YouTube: @YoilyPolatseck-w0w

Shabbos Parshas Shelach, sitting in Kerestir with Zevy Fried and Shloimy Heller, Zevy showed us an old Chabad niggun called “Atah Echad.” The second we heard it, we knew something had to be done with it, so I got to work on the music right away. A couple of weeks later, I was sitting with Duvid Berger when he added the words “Ein Kitzvu” to the niggun and decided to join me on the song. Romemu Choir came in and understood the assignment right away, bringing the vocals and the energy the song needed. Once the vocals were recorded, we sent everything over to Lipa Brauner, who took all the pieces and tied them together with a sharp, polished mix. From there Avrumy.com took the visual side of the project and created a cover that really captured the energy and feel of the song, Meilech Melber then brought the artwork to life with the animation, completing the project.

What started as an old niggun heard around a table in Kerestir slowly turned into the song you’re hearing today.

May this song bring more meaning to your Yom Tov, and may we all be written and sealed for a year of bracha, happiness, and success.

As we get ready to finish up this beautiful year and welcome the new one, soulful singer Yiddy Moskowitz is releasing a new cover of the song “Veyeida.” The song was composed by Reb Hershel Rosenberg and originally sung by his talented son, Heedy, on the album “Yisrael Hu.”

We will be saying these exact words this Rosh Hashanah. The song reminds us that Hashem is the one who made everything, and that every soul will eventually declare that He is the only God and the true King of the universe.

Credits:

• Composed by: Reb Hershel Rosenberg
• Originally Performed by: Heedy
• Music Arranged, Mixed & Mastered by: Yanky Cohen
• Video Directed Filmed & Edited: by: David tirnover & Arielos
• Production:
  7o9.prod
• Digital Marketing by: Motty Media & Music Velt

Aaron Goldberg and Moshe Z. Roth, present a unique giant production, a moving performance by the two emotional singers- Dudi Kalish and Dudi Pollak. They are accompanied by the Neranina Choir conducted by Yaakov Rosemarin and accompanied by an expanded orchestra conducted by Yehuda Roshgold.

The special rendition was written by David Kalish, and combines well-known melodies, both ancient and new, with the words of the prophet Yirmiyahu, “הָלֹךְ וְקָרָאתָ בְאׇזְנֵי יְרוּשָׁלַ͏ִם לֵאמֹר כֹּה אָמַר ה’ זָכַרְתִּי לָךְ חֶסֶד נְעוּרַיִךְ אַהֲבַת כְּלוּלֹתָיִךְ לֶכְתֵּךְ אַחֲרַי בַּמִּדְבָּר בְּאֶרֶץ לֹא זְרוּעָה”.” Words that appear in the Rosh Hashanah prayer and recall the love of the Hashem, for the people of Israel.

The medley is accompanied by a special and thoughtful music video directed by Hershy Segal, filmed at the “Zachor Ahavat Kedumim” dinner for the Torah Kingdom ‘Zichron Eliyahu’ in the south, with an extended film crew, in order to express the power of the occasion.

Production and initiation: Aharon Goldberg and Moshe Z. Roth
Arrangement and orchestration: Dudi Kalish
Orchestra: Yehuda Rosgold

Concept: Yaakov Rozmarin Cover design: Zeira
Public relations and communications: Israel Rosen

Singer and composer Moshe Feld launches a new and exciting single called “Vitaher” – a personal and faith-based song that deals with the longing for a true connection, the purity of the heart and the deep connection between man and his Creator.

Feld: “There are times when the desire for a true connection outweighs everything around. The period, the uncertainty, the wars and everything in between.
In times like these, all we ask for is the purity of the heart. When the heart is clean and pure, everything opens up naturally.”

Lyrics and music: Moshe Feld
Arrangement and musical production: Ariel Mager and Moshe Feld

Kobi Brummer and Yeshiva Oraita of Rabbi Yair Rosenberg have been accompanying our soundtrack during the High Holy Days for 5 years now! And this year? They’re taking it up a notch, along with Maestro Yoeli Dickman, who brought with him musical energy that won’t leave you indifferent.

The Kumzitz of the Yamim Noraim, a new medley with a completely different flavor. A combination of emotion and joy, Chassidic music at its best, alongside entire sections of the prayer text. As every year, Kobi brings with him the nostalgic Yeshiva part, and this time it is combined with Yoeli Dickman‘s special voice.

Production: Moishe Roshgold

Arrangement and Conducting: Yoeli Dickman
Public Relations and Communications: Israel Rosen

After an elevated journey through the prayers of the High Holy Days in the style of Vizhnitz, as he learned from his Rebbe, The Toldos Avraham Yitzchak

Aharale Samet descends deep into his roots and performs works from the school of the author of Toldos Avraham Yitzchak, the father of the Rebbe of Shivdal’a

The inspiring Rosh Hashanah tune is a debut from the project Heilige Minuten – From Divrei Emuna, composed by the Rebbe, Toldos Avraham Yitzchak, zt”l, together with Ahrele’s grandfather, Rabbi Mordechai Hersh Breyer zt”l

It is sung in the courtyard of the Toldos Avraham Yitzchak on Rosh Hashanah on the piyyut Yikaseivun.

Credits:
Arrangement and musical production: David Taub
Violin-viola: Favel Levin

Choir: Michael Weinberger, Yossi Weinberger, Eli Sprei, Shimon Pearl, David Strick, Eli Fried, David Taub
Piano: David Taub
Mixing and Mastering: Shlomo Zalman Wechter
Graphics: Shimon Rochman SDR

As the נוראים ימים approach, Donny Schiff presents his stirring new release, “Habein
Yakir” — יקיר הבן, a heartfelt musical expression drawn from the powerful words of our
tefillos during this sacred season.
These deeply moving words speak of the eternal bond between a father and his beloved
child, a bond that remains unbroken even through distance and longing. As we stand
before Hashem on Rosh Hashanah and Yom Kippur, they take on an especially profound
meaning: the yearning of a child to return, and the endless compassion of a Father
waiting for him.
With a warm and soulful delivery, Donny Schiff brings sincerity and emotion to every
note, allowing timeless words of tefillah to speak directly to the heart. His music seeks
to transform familiar words into moments of reflection, connection, and inspiration.
Habein Yakir invites us to enter the נוראים ימים with a renewed awareness of who we are:
beloved children standing before our Father, asking to come closer once again.
May this song inspire a deeper tefillah and a meaningful year ahead.

כתיבה וחתימה טובה
Credits:
Composed by: Donny Schiff
Arranged, Mixed & Mastered by: Avrumy Lunger
Cover Design by: Avrumy @aimcreatives_co
PR: JMI

Some melodies are simply waiting for the right moment. 25 years after Shmuel Gelber composed “Shema Koleinu,” the song is now being released precisely during the month of Elul, a time of prayer, introspection, and coming closer.

“Shema Koleinu” was born about a quarter of a century ago, during a significant period in Gelber‘s life, and carries with it the unique flavor of Chassidic music of the past – a moving melody, simplicity, and depth, without the need for flashy production.

In honor of the re-release, singer Avi Ilson, Shmuel Gelber‘s son-in-law, joins the performance, lending the song his voice and the emotion associated with it. The arrangement and musical production were created by Shmuel Gelber and Nehorai Gelber.

The lyrics are taken from the sources, and at the center is the prayer “Shema Koleinu” – a request that Hashem hear our prayers and the desires of our hearts. The choice to release the song specifically in Elul gives it special meaning and makes the melody that was born 25 years ago ever more relevant.

Lyrics: Sources
Composition: Shmuel Gelber

Arrangement and musical production: Shmuel Gelber and Nehorai Gelber

During the days of forgiveness, we all encounter the request “Aneinu” every day. Since many well-known melodies and even lesser ones have been released to these words, it was appropriate to combine the songs and present it on a platter of gold, with an innovative cover that would include the best songs.

Since there are many melodies to these words, the two singers, Shea Assaf and the arranger Yeedela Alter set out to collect the best songs that are moving, touching, and even joyful.. and the result is perfect.

The medley combines ancient melodies with those that have been released in recent years, and Shea seems to be able to do it with great grace, as he juggles all the styles and presents it here before you.

The medley begins with Aneinu, with the melody of Pinchas Bichler, and from there straight to the familiar tune that we all grew up with, the composer Sruli Ginsburg. Then, Shea performs the wondrous and moving work that gives an interpretation and another angle to these words, a canticle by Moshe Koussevitzky, an ancient and touching work, and from there he jumps in time to a song that was released only in recent years, a light and refreshing song by Dudi Kalish, and the closing song is Aneinu by Moti Weiss, which gives extra punch and life to the medley.

Shea is a friend of the arranger Yeedela Alter, who also entrusted the concept of the medley, the voices, the production of the song, the musical production, and the entire envelope, so that it reaches your ears in the best and most professional way.

Credits:
Arrangement, concept, voices and production of the song: Yeedela Alter
Mix: Moishe Kahane
Guitars: Noam Borg (Chargol)
Cover design: Yossi Kaenig

The renowned chazzan, Rabbi Yaakov Yuda Daskal, presents the first from a historic and wide-ranging project: “Yaakov Yuda’s Velt Nusach” – the uplifting and moving version that people coming to daven in the Beit Midrash experience every year on the Yamim Noraim.

The entire project is in advanced stages of production and is expected to see the light in the days leading up to the Yamim Noraim. Now an introductory track is being released: the prayer “Hineni He’ani MiMa’as“. The work powerfully expresses the heartfelt and emotional fervor that accompanies the entire project, which is all about supplication, awakening, and pouring out discourse before its Creator.

Arrangement: Shmulik Weinreich
Sound arrangement: Hershel Brisk
Public Relations and Communications: Israel Rosen

BS”D

Tefillas Chana

Chana, the mother of the great Shmuel Hanavi, came to the Mishkan in Shiloh with a broken, hopeful heart. She poured out her soul before Hashem, ואשפוך את נפשי לפני ה׳, asking for the gift of a child who would grow to bring the word of Hashem into the world.

Her tefillah became the model for all of us. From Chana, we learn how to daven—not with noise or volume, but with sincerity, intention, and a heart that is truly present before Hashem. חנה מדברת על לבה

On the first day of Rosh Hashanah, we read the Haftorah of Shmuel, which includes Tefillas Chana. For those waiting for the gift of children, it is a particularly powerful and auspicious (מסוגל) time to cry out to Hashem during the Haftorah, as Chana did.

Yes, I have seen such a yeshuah in my own family.

But Chana’s tefillah belongs to all of us. Whatever we are carrying, whatever we are hoping for, whatever we need from Hashem—there is something in her tefillah that speaks to every heart.

I hope this song inspires us to daven a little deeper, to open our hearts a little wider, and to remember the incredible power of a sincere tefillah.

May all of our tefillos be accepted, like Chana’s, and may we be zocheh to a kesivah v’chasimah tovah and the Geulah Shleimah, b’karov. אמן ואמן

Thank you, Hashem, the giver of life and everything in it, for enabling me to bring this song to the world and to continue to compose songs for your cherished nation עם ישראל ….קטונתי מכל החסדים. May we all merit to see your kindness continuously

A special thank you to my dear friend Shulem Lemmer, the golden voice of klal Yisroel. Thank you for elevating this track, everything you sing becomes better. Hopefully, your addition to the track will inspire many thousands around the world to daven with a more open heart, like chana

Yitzy

Credits
Composed and Written by: Yitzy Waldner
Sung by: Yitzy Waldner, Shulem Lemmer
Music Produced by: Yanky Posen
Mixed by: Avrumy Lunger and Yanky Posen
Mastered by: Omri Bar Hod

Video Credits
Video Produced by: Motty Berkowitz
1st Ac: Saksham Bharti
Gaffer: Shaurya Chopra
Grip: Alexis Montesinos
Set Designer: Moshe Leib Gross
Child Actor: Mendy Ackerman
Shul Location: Young Israel Beth El

Special thanks to:
A Capital
Yechiel Schron

A moment before the beginning of the recitation of Selichot, vocalist Yanki Roth presents a new rendition of Rabbi Shmuel Brazil‘s ancient melody with the words “Vayomer Hashem, Salachti Kidvarecha.”

The familiar melody, associated with the atmosphere of the days of Selichot and mercy, receives a renewed vocal performance in Roth’s voice, while maintaining the original character of the melody.

The performance is released ahead of the days of Selichot, with the words “Salachti Kidvarecha” taking on a special meaning and introducing the atmosphere of the High Holy Days.

Credits:
Composition: Rabbi Shmuel Brazil
Arrangement and musical production: Yanki Landau
Cover design: Oligraph

In preparation for the Days of Mercy and Forgiveness, I am happy to share with you a special medley of songs that comes straight from the heart.

“These days bring with them melodies of repentance and hope for a new beginning. I have collected in one medley some of the songs that move me the most, with the aim of opening the heart and introducing us all to the uplifting atmosphere of the High Holy Days.

Credits:

Musical production: Shimi Mendel
Arrangement: Menachem Bernstein & Shimi Mendel

Guitars: Noam Chargol

Recordings: Menachem Bernstein
Mix: Yanki Cohen
Public Relations: Control

Original performance:
Aneinu- Dudi Kalisch
Kiracheim Av Al Banim- Dudi Kalisch
P’nei Ailai- R’ Shimshon Neiman
Yihiyu Liratzon- R’ Moshe Yechezki’ Weiss
Ulai Yachus- R’ Pinchas Mordechai (Pinky) Weber
Hashivainu- Hanan Ben Ari

After the success of the first project in the series and in light of countless requests from the audience who asked for more, the musician Motty Wiesel and the arranger Yanki Landau return with the follow-up project: “Kedushas Hayom 2” – nearly 40 minutes of hisorerus and closeness to Hashem.

Again this year, emotional and nostalgic melodies were selected and selected alongside uplifting prayer segments, which were woven together into a meticulous and powerful musical journey. The medley accompanies the heart from the first absolutions of Elul to the sublime prayers of Rosh Hashanah and Yom Kippur, in a rich arrangement that puts you straight into the atmosphere of the Yamim Noraim.

Arrangement, musical production and mixing: Yanki Landau
Voices: Shmulik Goldstein

Graphics and project design: Zeira
Animation: Shneur Eisenbach

Public relations and communications: Israel Rosen

Clarinet artist, Natan David Ettinger, presents a special klezmer piece, which takes us back to the Jewish town of the past and to the nostalgic taste.
In a performance full of character, energy and deep emotion, Ettinger brings his unique sound to the forefront and gives the work color, depth and powerful presence.

‘A Geshmaker Tzushpil’ is a journey into a world where authentic klezmer connects with contemporary musical power.

The musical arrangement and production was entrusted to musician Nachman Helvitz,
who brings his musical vision and creates a connection between Ettinger’s unique style and a contemporary, rich and precise production.

The clip was filmed in the ancient house in Ein Kerem, in a unique location that adds a special atmosphere to the performance,
and provides the performance with a background that connects the ancient character of the place with the contemporary sound of the work.

Credits:
Musical arrangement and production, mixing and mastering: Nachman Halevitz

Cinematography, direction, editing and color: Shmili Stern

Public relations: Overton Productions

With dozens of impressive projects under his belt, Shloime Bukshpan embarks on a promising solo career with an exciting debut single clip for the High Holidays “B’Rosh Hashanah” composed and arranged by Meir Adler.

Shloime shares: “For years I’ve been sitting in the studio, seeing productions before my eyes, and knowing that this moment will come. The exciting moment when I decide to release my own original material, one that characterizes my personal taste, and it’s a special privilege that it happens just before a new year. Moments of a new beginning. Wishing everyone a Gut Gebentsht Yaar”

Composition and arrangement: Meir Adler
Direction and editing: Shimi Bookspan
Cover design: Zeira
Public relations and communications: Israel Rosen

From the nights of the second hakafot on Har HaMor, through the Hallel singing in the Me’arat Hamachpeila, to the days of Elul and the coming of the High Holy Days, Clarinet player Shai Baruch Saloma presents a profound performance of the classic by Rabbi Baruch Ber Leibovich zt”l. It is a melody that is especially suitable for awakening during the days of mercy and forgiveness, but touches the heart throughout the year.
Musician Shai Baruch Saloma (30), a resident of Kochav Hashachar and a well-known figure in the world of community and yeshiva music, releases a moving and new musical performance of the familiar soul melody “Ani Yishayna“. Saloma, who in recent years, along with other musicians, accompanies the Hallel prayers of Rabbi Shmuel Eliyahu in Me’arat Hamachpaila, and plays as a regular in the Hakafot Shniyot at the Har HaMor Yeshiva and other celebrations and events for the past fifteen years, brings with him a deep spiritual and emotional connection to the clarinet.
The origin of the melody, based on the verse from the Shir Hashirim, “Ani Yishayna ViLibi Err,” was written by the head of the Kamenitz Yeshiva, the late Rabbi Baruch Ber Leibowitz, who composed it for his students. Over the years, the melody has become one of the classic longing melodies of the yeshiva world, and has been well-known for its performance on Abish Brodt‘s album. In Saloma‘s new performance, under the musical production of Ron Chania, the clarinet is joined by an empowering choir that gives additional depth to the work. Saloma‘s affinity for the melody began during the days of Elul in the first Shiur at the Ramat Hasharon Yeshiva, a place that gave him the opportunity to delve deeper into the world of Chassidut and inner life. “This melody touched me deeply and was for me a key part of a new world,” he recalls. “It has accompanied me since then at key crossroads in life, in both challenging and happy moments, and I even played it at my wedding. These verses speak to each of us: even when we feel in a state of ‘sleep’, challenge or forgetfulness – our heart is awake and desires goodness and holiness.”
Saloma‘s decision to release the musical materials received a significant boost in the past year to fulfill his musical mission. “I felt that the time had come to release my own materials, to give the world a gift that the Holy One, blessed be He, sent through me, and to translate people’s reactions into high-quality and touching music,” he shares.
Although the single is being released now, during the months of Elul and leading up to the High Holy Days, Saloma sees it as a work that is suitable for the entire year. “It is indeed a natural time for the heart to awaken and remember our roots, but for me this melody belongs to the whole year,” he emphasizes. “Every moment a person feels a little ‘sleepy’, they need a reminder that their inner point is awake. I sincerely hope that everyone will take this melody to their personal place, to their longings, and also to our longings and our place as a people, and that we will all be able to remember our true place and roots.”

The journey continues in the “Yamim Noraim” series, in which Menny Streicher and Moishe Mendelsohn meet in the studio to perform well-known classics with a unique interpretation. This time, they present “Pe’tach Lanu Sha’ar“, composed by the late Rabbi Moshe Goldman, arranged and musically produced by Moishe and Srulik Mendelsohn.

Composition: Moshe Goldman

Original performance: Camp Shalva
Arrangement: Moishe & Srulik Mendelsohn
Public Relations and Communications: Israel Rosen

Young singer, Avraham Yosef Hirsch, is taking his musical career to the next level with a promising first step. He is releasing a special performance for the Days of Mercy and Forgiveness of Avrum Mordche Schwartz’s classic “Kol Dodi Dofaik,” accompanied by an official debut clip.

For the exciting performance, he was joined by singer and composer Dudi Pollak, who is a guest in a duet and also signed the musical arrangement and production, alongside the playing of keyboardist Yossi Eisen. Together they present a Chassidic performance full of emotion and power, which puts you right into the atmosphere of the High Holy Days

Composition: Antshi Friedman

Arrangement and concept: Dudi Pollak
Keyboards: and vocals by Yossi Eisen
Direction, editing and color: Hershy Segal
Cover design: Zeira
Public Relations and Communications: Israel Rosen

Uman is coming, and with it the annual trip. A few days before the big Rosh Hashanah gathering in Uman, Nachman Rosenberg presents the annual project that has become the soundtrack of the road to Uman. In the new medley, he hosts a series of beloved names: Meshulam Zusha, Nuti Fuchs, Kalmi Schwartz and Moishe Pressberger, who join together in a medley full of burning joy.

“Uman Trip 2” includes 11 continuous minutes of energy and rhythm, with the best hits and songs of longing for Rabbi Nachman of Breslov in a sweeping and fiery arrangement. Take a moment before you set off and enter the trip.

Musical production: Nachman Rosenberg
Adapted by: Nachman Rosenberg, Itzik Berger

Programming: Yochanan Uri, Itzik Berger
Additional programming: Yonatan Hershkowitz
Public relations and communications: Israel Rosen

Ahead of Rosh Hashanah and the kibbutz with our holy rabbi in Uman, the twin brothers Kalif are launching a new and immersive version of the beloved work “Or Behirut HaDerech” by Bini Landau.

The song, which has become an integral part of the path to Uman and expresses the longings and yearnings for our rabbi, receives a unique musical touch in the new arrangement by the Kalif Brothers – with a bouncy rhythm, energy and a contemporary trance version.

The new performance is accompanied by a music video that will put you in the atmosphere of joy and preparation for Rosh Hashanah, and connects the rhythm and energy with the longing and yearnings for the righteous.

Lyrics and music: Bini Landau

Arrangement, production and mixing: Netanel Kalif
Channel master: Aron Lavie

Performance: The Kalif Brothers

Public Relations: BaFront

Watch thrilling moments from the Torah reading ceremony of the orphans of the “Haben Yakir” organization, led by our teacher Rabbi Shlomo Zvi Alter, Shlita. The medley “Haben Yakir Li Ephraim” became a prayer and cry of orphans to their Father in Heaven.

With the concept of Yaakov Rosemarin, connect with the melodies of all times – from the ancient melody of the Viznitz Chassidim, Rabbi Yaakov Talmud and Malevsky to the emotional sounds of today in the melody of Pinky Weber.

The wonderful arrangement and orchestration were supervised by Tzviki Levin, with under his baton the giants of singing Zanvil Weinberger and Aharle Samet shaking the hall in a phenomenal duet, with the voices of the Neranina Choir together with the singing of the orphaned children.

Credits:
Singing: Zanvil Weinberger and Ahrela Smet
Choir: Neranina Choir conducted by Yaakov Rosemarin
Arrangement: Zviki Levin
Musical performance and editing: Srulik Klatzkin
Concept: Yaakov Rosemarin
Production: Mendy Zalman
Stage production: Leibi Sharansky
Control Productions
Sound: Oshi Sharf
V.J. content: Moishe Eisenstein Pixel Art
Amplification and lighting: Paul Valium
Cover design: Zeira
Photography and editing: Nati Alber

In preparation for the holidays of Tishrei and the Days of Rachamim and Selichot , “Yeled Hapeleh Al Galgalim” Yisrael Goldreich returns with a special project – a sweeping Yamim Noraim medley that is full of emotion and soul. In the new medley, Israel brings intentional performances of the best assets of the Tzoan Barzel of the holiday prayers, with the unique and captivating voice that has already become his hallmark and inspires thousands.

The arrangement, keyboards and precise synthesizer work are the work of Srulik Hershtik, who gave the work a rich and contemporary musical cover that manages to preserve the sanctity of the melodies and open the heart for the new year.

Arrangement, keyboards and synth: Srulik Hershtik
Graphics and project design: Zeira
Animation: Zeevi Heller
Public relations and communications: Israel Rosen

In preparation for the High Holy Day and the period of Selichot, the great Chassidic singer, Mordechai Ben David, releases a new and exciting single called “UvTuvcha Hagadol.” The lyrics, taken from the morning prayer and Selichot, express the cry and prayer of the people of Israel for grace, mercy, and complete redemption. The melody is by Mordechai Ben David and Eli Laufer, with the arrangement and musical production by Eli Laufer, Moshe Laufer, and Nir Graf.

“This is a prayer that we say every morning after the Akeidah,” says Mordechai. “Ribono Shel Olam, just as Avraham our father conquered his mercy to do Your will with a complete heart, so Your mercy will conquer Your anger over us.” “I wish that we all have a good year, full of abundance, closeness, and love of Hashem.”

Production: Yeedle Werdyger and Zevi Fried
Music: Mordechai Ben David and Eli Laufer
Arrangement and musical production: Eli Laufer, Moshe Laufer and Nir Graf
Sound arrangement: Moishe Roth
Public relations and communications: Israel Rosen

One morning when I opened my eyes, a melody from heaven played to me and I felt that it was related to a bar mitzvah, and like a glove, the words “Umishefa Mitzvas Tefillin” were put on it, and for all the reasons, Hashem, blessed be He, granted that it be released in a special production on the occasion of the joy of the bar mitzvah of the young man Yonatan Feldman, N.Y., son of my dear friend Efi Feldman. I have known Efi since childhood and in a little praise I will say that he is the head of the Ichud Hatzala branch in Bnei Brak and a man of kindness. His uncle, Dudi Feldman, who we also grew up together as children, a man who plays the instrument above and beyond, joined in the singing with good taste.

Credits:
Composition and arrangement: Mendy Goldberg
Mix: Chaim Mozes
Songs: Mendy Goldberg, Dudi Feldman
Recorded at Yonatan Blau Studios
Choirs: Mendy Goldberg
Guitars: Noam Chargol
Drums: Dekel Dvir
Keyboards and programming: Mendy Goldberg
Photography, editing and color: Shneur Monis
Cover design: Dudi Kreuzer
Direction and production: Efi Feldman

R’ Yitzi Ackerman and Avrumi Weinberg join forces for a powerful duet for the Days of Rachamim and Selichos “Yud Gimmel Midot“. The song tangibly conveys the infinite grace and love of the Creator of the World, who teaches us how to draw closer to and always return to Him. The arrangement and musical production were entrusted to the duo Avi Reimi and Yair Bodner, alongside an impressive music video directed by Nati Elber.

Behind the melody is the young and promising musician Yonatan Toledano. He wrote it a week before the attack in Ramot in 1985, an attack from which he miraculously survived. Now, a year later, the work is being published with great excitement: “Our prayer is that we may be worthy of feeling, being moved, and returning to complete repentance,” conclude Weinberg, Ackerman, and Toledano.

Composition: Yonatan Toledano

Arrangement and musical production: Avi Reimi & Yair Bodner
Public relations and media: Israel Rosen

After his debut album “Chagiga”, singer Berel Faiden enters the atmosphere of the month of Elul and releases a new and emotional single called “Hayom”, which combines the words of the prayer of the High Holy Days with a sweeping and uplifting melody.

Faiden, one of the most prominent new generation artists in the US, has been making a name for himself in the past year, after his debut album “Chagiga”, which received great acclaim.

Composition: Elchanan Elchadad
Arrangement and musical production: Shmuel Cohen

Public relations and media: Israel Rosen

I’m really excited to share my new song, SHOFAR.

The words “Ashrei ha’am yodei teruah” “Praiseworthy are the people who understand the sound of the shofar” have always caught my attention.

What does it mean to truly understand the sound of the shofar?

To me, the shofar is a cry, a call to wake up, do teshuvah, and come back to Hashem.

But there’s another shofar we’re all waiting to hear.

“Teka b’shofar gadol l’cheiruseinu” – “Sound the great shofar for our freedom.”

The shofar that tells us the waiting is finally over. Mashiach is here. We’re reunited, there’s peace in the world, and the Beis Hamikdash is standing again.

That’s what SHOFAR is about, the cry calling us back today, and the sound we’re waiting to hear tomorrow.

I hope you enjoy it and that it brings a little extra meaning to the shofar this Rosh Hashanah.

SHOFAR – out now on all platforms.

Listen here:
https://song.link/ShofarYG

If you enjoy it, please share it with your friends or on your status. It would really mean a lot to me!

In honor of Chai Elul, the birthday of the founders of Chassidus – the Baal Shem Tov and the Baal Tanya – ‘Tzama‘ as a special gift for the soul: an EP of 3 singles performed by Daniel Weiss, Avraham Fried and Raviv Kner – melodies that stir the heart and soul, for the month of mercy and forgiveness. Arrangement and musical production: Naor Carmi.

The song ‘Kol Biyaar‘ attributed to the grandfather of Shpoli (a disciple of the Baal Shem Tov) is performed by Daniel Weiss, son of Shmulik and Yehudit Weiss. The song ‘Haneshama Yoredet El Toch Haguf‘ – live from the events of Tzama 5775, performed by Avraham Fried. The song ‘Areshet Sfaseinu‘ from the High Holy Days prayers, performed with emotion by Raviv Kner.

‘Kol Biyaar‘ – an ancient Chassidic melody of longing connects to a contemporary story of pain, memory and faith. A dialogue of longing between a father and his sons. A father searches for his sons. He calls them to return home. The sons answer him, asking to return, but find the gate locked by the guard who does not know them. The story is the story of the Shechinah, who searches for the souls of the children of Israel – Her children. They also search for Her, but it is not always easy to return to the Father. There is an evil inclination that lies at the gate and interferes.

This deep melody is attributed to ‘Saba M’Shpoli‘ – a disciple of the holy Baal Shem Tov. It is said that he would play it before saying the Tikkun Chatzos. Now, Daniel Weiss, son of Shmulik and Yehudit Weiss, is singing the melody of longing for his father. Daniel’s rendition of “Tzama” adds a personal and touching layer to the melody, especially these days, the days of mercy and forgiveness, when we will soon mark 3 years since the 7/10 disaster on Simchat Torah 5774.

Weiss says that the music allows him to connect with his emotions, the memory of his parents, and their spirit that accompanies him: “Working on the single “Kol Biyaar” is a personal and moving closing of a circle for me. It all started with a meeting at the Tel Aviv Radio studios (where I was a sound technician) with Bracha Shilat at Tel Aviv Radio, which later led to a powerful tour in Be’eri and a deep connection to the “Tzama” project. The experience in the studio with Naor Carmi, who did an amazing job with the production, and the filming in the Ben Shemen Forest, allowed me to bring all my emotions and personal story to expression in the most honest way possible.”

The soul descends. These are the days of mercy and forgiveness. We are busy with the soul, with a spiritual annual summary and with drawing closer to the Creator. This Chabad niggun deals with the existential question: Why did we come to this world? What is the purpose of the journey? The soul seeks to return to its source, it has challenges and trials, both physical and spiritual. It prefers to return to the top and be close to the Creator. The understanding that the descent, the difficulties and trials, have a purpose and are for the sake of ascent, makes one feel that the effort is worthwhile! It is precisely within earthly life, in its difficulties and downfalls, that lies the possibility of greater growth and ascent.

In the midst of the month of Elul, Tzama is excited to present a ‘live’ performance of Avraham Fried for the niggun, from the Tzama performances of 2016. Avraham Fried writes on a personal note: Dear friends, Did you know that your soul knows how to shout from one end of the world to the other? This happens when God says to her: “My dear soul, I know that it is best for you here by my side, in the spiritual and pure world. But I have a mission for you: to descend below, into the physical world and into the body of a Jew.” Then from the depths of the soul comes the cry: “Why?! What was I missing up here, right next to the throne of honor?!” And the Creator explains to her: “There, in the physical world, there is the possibility of learning Torah and keeping the commandments. You will breathe life into that Jew and through this you will have a much higher ascension than if you had stayed here by my side.” So the soul replies: “Then the descent is for the purpose of ascension! All of this is worth it!”

The sound of our lips. There are moments when there are no words, but only a cry. Sometimes, after the cry – the words will come. On Rosh Hashanah, the shofar cries for us, and only after it do the words come. In prayer we ask: “Areshes Sifaseinu Yeerav Lifaneicha-The sound of our lips will come before you” – that even our hesitant words, which come from the tip of our lips, and also what is hidden behind them, will be accepted and heard. And the Creator? He not only hears. He also “understands and listens, looks and listens”! And he understands even before he hears. He understands the cry from which it was created in prayer.

This melody was used by the public servants in the town of Lubavitch to play after the blasts of the Musaf prayer of Rosh Hashanah. Now the melody is receiving a new performance by Raviv, a violinist for ‘Tzama‘, in a prayer that the Creator will hear all of our prayers, those in the shofar call, those that we managed to say, and also those that we did not. Raviv shares: “I am excited to take part in the special project. I have been exposed to the beautiful melodies over the years, but when you delve deeper you realize how special it is. Proud to be a Jew in this time, a believing Jew. A connected Jew.”

A must listen!

קול ביער

הנשמה יורדת

ארשת שפתינו

In honor of Chai (18) Elul, the birthday of the founders of Chassidus – the Baal Shem Tov and the Baal Tanya – ‘Tzama‘ releases a ‘live’ performance by Avraham Fried of the tune ‘Tzama‘, from the Tzama performances of 1976. Arrangement and musical production: Naor Carmi
These days are the days of mercy and forgiveness. We are busy with the soul, with a spiritual annual summary and with drawing closer to the Creator. This Chabad melody deals with the existential question: Why did we come into the world? What is the purpose of the journey?? The soul seeks to return to its source, it has challenges and trials, both physical and spiritual. It prefers to return to the top and be close to the Creator. The understanding that the descent, the difficulties and trials, have a purpose and are for the sake of ascent, makes us feel that the effort is worthwhile! It is precisely within earthly life, with its difficulties and downfalls, that lies the possibility of greater growth and ascension.
In the midst of the month of Elul, Tzama is excited to present a ‘live’ performance by Avraham Fried to the tune ‘Haneshma Yoredet‘, from Tzama‘s performances in 2016. This is as part of a special EP album by Tzama that is being released these days in honor of the 10th of Elul, the birthday of the founders of Chassidus – the Baal Shem Tov and the Baal Tanya. Along with Fried‘s performance, the album includes the song “Kol Biyaar” attributed to the grandfather of Shpoli (a disciple of the Baal Shem Tov) performed by Daniel Weiss, son of Shmulik and Yehudit Weiss, as well as the tune “Areshet Sfateinu” from the prayers of the High Holy Days, performed with emotion by Raviv Kner. Avraham Fried writes on a personal note: Dear friends, did you know that your soul knows how to shout from one end of the world to the other? This happens when Hashem, the Holy One, says to it: “My dear soul, I know that it is best for you here by my side, in the spiritual and pure world. But I have a mission for you: to descend below, into a physical world and into the body of a Jew.” Then from the depths of the soul comes the cry: “Why?! What was I missing up here, right next to the throne of honor?!” And the Creator explains to her: “There, in the physical world, there is the possibility of learning Torah and observing mitzvot. You will breathe life into that Jew and through this you will have a much higher ascension than if you had stayed here by my side.” Then the soul replies: “Then the descent is for the purpose of the ascent! All this is worth it and worthwhile!”

With the arrival of the New Year, which brings with it hope, dreams, prayers and faith on the way, comes “Chaim Chadashim,” an exciting duet between Moshe Dweck and his son David, written and composed especially in honor of his Bar Mitzvah.

The connection between Rosh Hashanah and the Bar Mitzvah takes on a special meaning here: Along with the year that opens, David also embarks on a new path, a path of maturation, dreams and faith.

This is a soulful intergenerational duet that speaks of unconditional love, of the deep bond between father and son and of every parent’s wish that their son will follow his path, fulfill his dreams and know that he always has a home and love.

Young David surprises with a sincere and mature performance, and proves that talent is inherited.

And in the spirit of Rosh Hashanah, “Chaim Chadashim” transforms from a personal prayer of a father to a prayer of all of us, a year of good beginnings, joyful tidings, love, faith and hope for better days.

Thus, between the blowing of the shofar and the opening of a new page, “Chaim Chadashim” arrives just in time for a song that reminds us that every year is an opportunity for a new beginning, and every beginning is a reason to believe in goodness.

“My child, always remember and aim high
My father, I am strong enough to touch the stars
Here comes a new life to do us good
A beautiful world awaits, the doors open with love”

Moshe Dweck performs in Israel and around the world from small synagogues to huge stages and festivals. He is currently working on a new album with original songs and additional musical surprises.
Words and Music: Rami Lev
Musical Arrangement and Production: Daniel Chen

With the start of the new school year and after receiving many listens and broadcasts on radio stations and various digital platforms, the song “Yaldi Hayakar” – a moving prayer from a loving father to his son performed by singer and songwriter Yonatan Shahar, now has a spectacular animated music video invested in artificial intelligence technology.

The music video dramatizes and illustrates the lyrics of the song and the deep emotions it conveys in a rich, colorful and emotional visual language, which accompanies the paternal message throughout.

The song from “Project Shel Halev” was written by the creator Chagit Simcha Ben-Zvi and brings a personal, honest and touching look at the bond between a parent and their child. The melody was created by musician and songwriter Netanel Leifer, who is also responsible for creating the music video, as part of the new studio he established to create advanced visual content using artificial intelligence tools.

The production and musical arrangement were entrusted to Amon Shahar himself, who gave the song a sensitive and precise musical envelope, which complements the text and melody and intensifies the emotional experience that has accompanied listeners since its release.

Yair David is undoubtedly one of the most fascinating and energetic figures in the Israeli public and musical landscape. Many call him “the singer with a thousand faces,” and the reason for this is clear. He I s a man who operates in several significant arenas simultaneously, and wherever he is, he gives his all and does his best, with each field of activity complementing the other perfectly.

On the one hand, Yair David is a senior, admired and beloved public figure, who serves as the chairman of the Religious Council in Kiryat Ekron. He is a man of action and kindness who has established soup kitchens, community centers to assist youth and families in need, a center for girls at risk, and a center for empowerment and support.

Along with this extensive public activity, Yair David is also a great singer with a string of hits behind him that he has released over the years. Now, he is releasing “Rak Ata“, a rhythmic and moving faith single that deals with the connection between the sacred and the mundane, dealing with a deceptive reality, and understanding that it is always possible to wake up, become stronger, and remember that in the Creator’s world we are all just guests.

The lyrics and melody were created by Chagai Uzan and Miki Ben Atar. The song’s arrangement and musical production was entrusted to Dedi Saadi, who is also responsible for the keyboards and programming. Alongside them, top-notch musicians took part in the production: Ido Reuveni on drums, Avi Yifrach on bass, Omri Zelig on guitars and dulcimer, and Chezi Yaakov on percussion. The background vocals are accompanied by Bar Reuven, Chagai Uzan, Miki Ben Atar and Dedi Saadi, with the mixing and mastering being done by Eli Melamed.

And now the second episode in the “Yamim Noraim” series. Menny Streicher and Moishe Mendelsohn in a revival of **Mordechai Ben David’**s poem “Ya’ale“, with an arrangement and musical production by Moishe and Srulik Mendelsohn.

Composition: Eli Klein
Original performance: Mordechai Ben David

Arrangement: Moishe & Srulik Mendelsohn
Public Relations and Communications: Israel Rosen

In the midst of the Days of Mercy and Forgiveness and in preparation for the prayers of the High Holy Days, the artist of emotion Shloime Cohen, together with Chaim Altman, cry out in prayer – “Do for your sake if not for our sake”!

“We ask Hashem for so many things in ‘Avinu Malkeinu’, and in the middle of crying out “Asei Lemancha – Do for your sake,” shares Chaim, “I felt the need to turn these words into a pleading melody that would express the feelings of the heart and give expression to the familiar cry and prayer. And it was only natural to release the song together with Rabbi Shlomo, whose gentle and moving voice adds grace and soul to the melody and its interpretation.”

Chaim, known for his unique and nostalgic compositions, once again joins the magical atmosphere himself, with the arrangement and production by Yonatan Blau.

Composition: Chaim Altman

Arrangement and musical production: Yonatan Blau
Public relations and media: Israel Rosen

Cantor and composer Rabbi Shmuel Toledano launches “Seder Musar” – a new and exciting single, the lyrics of which he took from the sefer “Mesilat Yesharim“, Chapter 1, and a personal melody that he wrote himself.

The song deals with the purpose of man and a look to the world to come, from the words of the Mesilat Yesharim: “Man was not created for his condition in this world, but for his condition in the world to come.”

With a powerful melody and presentation, Rabbi Shmuel seeks to give the words of the moral a musical expression that touches the heart and invites introspection, especially at the beginning of the Month of Mercy. “Seder Musar” is part of a new album on the way, all of whose melodies are the work of Rabbi Shmuel Toledano.

Composition and lyrics: Rabbi Shmuel Toledano
Arrangement: Yehuda Ben Moshe
Voices and choir: Yehuda Ben Moshe and Avi Zano
Mix: Avi Zano
Recordings: YBM Studios

Raphael Melloul and Kobi Brummer join forces for a new duet with lyrics from the weekly Torah portion “Hashkifa,” a song composed by Eli Klein a decade ago for Raphael Melloul. Kobi, who was exposed to the melody a few years ago, asked Rafael for the right to sing it, and recently, when Rafael approached him about producing the song, the idea of joining forces for a joint duet was born of its own accord, with an arrangement and musical production by Eli Klein and Yitzy Berry.

The decision to release the single for the holidays of Tishrei was born following the recent Pesach, when Birchas Kohanim at the Kot was held in a reduced format. The words of the prayer, which the kohanim say at the end of the blessing, now take on a meaning of cry and hope. The song is also accompanied by a special clip filmed at the Yeshurun synagogue and in the alleys of Jerusalem.

Ozer Druk presents

Composition: Eli Klein

Arrangement and musical production: Eli Klein & Yitzy Berry
Public relations and communications: Israel Rosen

Less than two weeks before Rosh Hashanah, and the big gathering in Uman with Rabbi Nachman of Breslav, Shmulik Klein and Mendy Sofer release a new and exciting music video single “Metaken HaNeshamos” composed and written by Mendy. The arrangement and musical production are by Eli Klein and Yitzy Berry. The song is also accompanied by an exciting music video with live recordings of Amcha Beit Yisrael, on Masa Leuman.

Shmulik says: “Due to very complex reasons, I was forced to cancel my planned trip to Uman. With all the difficulty, I decided that I had to express my feelings a little. I asked my friend Mendy Sofer, the talented one, to compose a song for our holy rabbi, and the next day we were already recording at Eli Klein and Yitzy Berry‘s.”

Production: Stage Art
Music and lyrics: Mendy Sofer and the letters of Rabbi Nachman zt”l
Arrangement and musical production: Eli Klein & Yitzy Berry
Public relations and media: Israel Rosen

Shlomo Stauber presents his original composition for the timeless words of the Machzor: “Besefer Chaim” — בספר חיים. This melody was composed during a challenging period this past year, as a personal expression of thanks to Hashem and turning to Hashem through prayer, searching for strength, hope, and healing. The words of the Machzor take on a deeply personal meaning: “May we all be inscribed in the Book of Life.” A simple prayer, yet one that carries the deepest hopes of our hearts. May this song inspire us to pause, reflect, and turn to Hashem with sincerity as we approach the ימים נוראים.

Credits:

Composition: Shlomo Stauber

Lyrics: Machzor

Arrangement & Musical Production: Itamar Shkedi

Guitars: Noam (Hargul) Borg

Keyboards, Drums & Programing: Itamar Shkedi

Mix & Master: Adi Perez

Vocal Recorded at: Marigny Studios

Cover Design: D.M.O Design

Marketing USA: Yossi Zweig

Marketing Israel:

קובי סלע תקשורת כהלכה

Dovy Meisels and Bentzi Stein team up for their first-ever duet, “Haben Yakir” featuring the beautiful harmonies of the Neshama Choir!

Ahead of the High Holidays, the holy words of “Haben Yakir Li Ephraim” take on a powerful new meaning. This legendary melody—composed by the renowned philanthropist R’ Yoel Israel Zupnick, and originally sung by MBD on the “Teniyos” album—is brought back to life in a spectacular new vocal collaboration.

This song delivers a timeless message of hope for the month of Elul: No matter how far a Jew has drifted, they are still a cherished child of Hashem. Our Father in Heaven looks upon each of us with constant mercy and loves us unconditionally.

Composed by: R’ Yoel Yisroel Zupnick

Produced by: Mendy Fekete

Arranged by: Yanky Shtimetz

Vocal production by: Dididum Studios

Mixed by: Lipa Bruner

Cover by: Vigigee

Video by: Hershy Segal

Digital marketing by: Motty Media & Music Velt

This is the first episode in a series full of emotion and depth. Menny Streicher and Moishe Mendelsohn in a new and touching clip, in which they perform the Avraham Mordche Schwartz’s classic “Meloich“. It is a musical arrangement and production of Moishe, together with his brother Srulik.

Streicher, who is behind the initiative, chooses to launch the new series for the High Holy Days, out of a deep emotional connection to the melodies of Elul. At the same time, new and original projects are brewing.

Composition: Anshil Friedman | Original performance: Avraham Mordechai Schwartz

Arrangement: Moishe & Srulik Mendelsohn
Public Relations and Communications: Israel Rosen

Singer Avraham Cohen is currently launching a new and special string called “Al Taazov Oti“” which combines three beloved and well-known songs into one moving and captivating musical work.

The medley includes the songs: “Al Taazov Oti“,” “Tov Li Ki Unaysi,” and “Abba” – three pieces that connect together for a musical journey full of emotion, faith, and longing.

From the most exposed place, between childhood longings and prayer and the cry “Tachzik Oti Karov,” Avraham brings to the forefront the deep connection between man and faith and the longing for the closeness of Hashem .

In a rich ethnic-modern arrangement, he presents a powerful vocal performance that seeks to stir hearts and give the feeling that even in difficult moments – there is always Someone to turn to.

The musical arrangement and production were entrusted to Or Cohen and Eliran Avital, who gave the song a modern and precise production, while maintaining the character and emotion that characterize the songs.

Moshe David Weissmandl concludes the series of live performances from the huge show at the Binyanei Ha’umah with another clip for the Shabbat song “Tenu Shevach” from his album, in which he hosts Yeedle Werdyger for an exciting and captivating performance together with thousands of yeshiva students. Conducted by Yoeli Diekman.

“Tenu Shevach” is the last in the Live360 series, with Weissmandl soon expected to release a series of new materials, in preparation for his upcoming second album.

Production: Neta Levin

Composition: Yoel Hersh Fuchs
Conducting and musical production: Yoeli Dickman

Choir: Neshama
Public relations and media: Israel Rosen

The duo of creators David Taub and Moishela Schneider, known as “Chavruta“, in a new song for the month of Elul

In the song, the Chavruta confess about the past Elul and the year that has passed, about the acceptances that turned into falls and about the spiritual goals that did not succeed.

On the other hand, they pray for divine help and new strength to “rise and return” in complete repentance also this Elul.

The song was written and composed by David Taub – and the Chavruta perform together.

The Chavruta filmed the clip at the grave of the holy Amora Rabbi Avahu, who is buried on the beach in Caesarea. Rabbi Avahu believes in the well-known saying “Where the repentant stand, no perfect righteous can stand.”

Credits:

Lyrics and composition, arrangement and musical production: David Taub
Mastering: Ronen Hillel Photography and video editing: Chavruta
Graphics: Graphic – Nadav
PR: Mandy Kurant

Adi Ran, the pioneer of Jewish rock and judge of “HaKol Haba” in a new single – ‘Agalot ViSussim‘ – straight from the road to the holy kibbutz with Rabbi Nachman of Breslov in Uman on Rosh Hashanah. About the musical production: Shmulik Daniel
Adi Ran has been defined for years as the “King of Jewish Rock” and one of the most prominent leaders of the genre. Now, the esteemed musician and songwriter returns to the forefront with a new song called “Agalot ViSussim“, which is being released ahead of the planned trip to commemorate Rabbi Nachman of Breslov in Uman on Rosh Hashanah.
The new song brings to the forefront Ran‘s sharp and personal impressions of the constant journey. This is a work rich in emotions, spiritual insights and the worldview of Rabbi Nachman of Breslov – an experience that connects spiritual ascension with the very practical and simple moments of the journey, from the bumps in the road to the boxes of “Tuna and Crackers”. The musical production was entrusted to the esteemed musician Shmulik Daniel.
The song’s chorus already outlines the picturesque and overwhelming atmosphere: “Horse carts, horse carts / On winding paths, between swamps and vineyards / Horse carts, horse carts / Barrels and pots, broken boots.” “The journey to the artist is not just a physical journey on the roads, it is an inner and deep journey for the soul,” shares Adi Ran. “I wanted to bring to the song the immediate connection between the mud and the physicality of the road and the spiritual ascension and the irreplaceable joy.” For decades, Adi Ran has been considered one of the most original and influential musicians in contemporary Jewish music. As a pioneer and trailblazer of the “rock-Breslav” genre, he combined electric guitars and energetic rock and roll with deep texts of faith, devotion and connection to the righteous. Throughout his rich career, he has released a medley of hits that have become ironclad assets in Jewish and Israeli soundtracks – including “Ata Kadosh“, “Vashamru“, “Aizeh Kef Lihiyot Yehudi” and “Abba Nehiyiti Dos“. In addition to his performances and work in the recording studio, Ran is also known to the general public for his role as a respected judge on the musical reality show “Hakol Haba”.

Singer and composer Chaim Subar launches “Haneshama Lach” – a new and exciting melody born from prayer and thanksgiving to the Creator.

The lyrics “הנשמה לך והגוף שלך, חוסה ה׳ על עמלך” were composed by Chaim Subar himself, with the arrangement and musical production entrusted to Uriel.

Subar: The melody was born from a deep feeling of longing for the Creator and from the abundance and inspiration he received from heaven. He seeks to give the melody to listeners as a gift that will accompany them, open a place in their hearts to connect them to the atmosphere of the holy and days.

“Haneshama Lach” is a personal melody that quickly becomes a shared prayer that seeks to connect the listener, the words and the longing for the Creator.

Each of us has moments in life of distance, falling, or a sense of missing out, where it seems we’ve lost our way. Pini Einhorn‘s new song, “Mitga’age’a” (Missing), written according to the words of Rabbi Pinchas from Koritz, brings a simple and comforting message that goes straight to the heart: The further a person moves away from Hashem, the more Hashem’s longing for him only grows.

The new single officially opens the way to Pini‘s fourth album, and takes on special significance these days ahead of Pini‘s traditional Selichot ceremony. The lyrics were written by Yair Shoval, and he also composed it together with Moshe Roth, the musical production of Yair & Eyal Shriki.

Composition: Yair Shoval, Moishe Roth
Lyrics: Yair Shoval – according to Rabbi Pinchas Koritz
Arrangement and musical production: Yair & Eyal Shriki

Production: Yonatan Yechiel

Artistic management: Moishe Roth
Public relations and media: Israel Rosen

After the great success and widespread resonance aroused by the album “Hod ShaniMalchut”, Moshe Roth presents the follow-up project invested in preparation for the Month of Mercy and Forgiveness and the Days of Judgment, “Malchut ShebiMalchut“. The album is based entirely on the purity of the moving and heart-warming melodies of Rabbi Moshe Cheskie‘ Weiss, Shlita, and is expected to take the listener deep into the inner sanctuary of accepting the Ole Malchut Shamayim, awakening and longings for the New Year and the holidays of the month of Tishrei.

The album features a long line of great musicians and artists in Chassidic music, including Ahrela Samet, Ari Hill, Pini Einhorn, Moti Wiesel, Meilich Kahn, Mendy Weiss, Shmulik Klein, Meilich Braunstein, Yoshua Geffen, Yanky Ausch, Simcha Birnhack and Yoeli Davidovich, accompanied by the voices of the members of the ‘Roimemo‘ choir. The musical arrangements and orchestration were entrusted to the duo Eli Klein and Yitzy Berry, alongside an arrangement by Moshe Yaakob and Yanki Steinmetz, who together created a rich and meticulous musical envelope that combines authentic Chassidic emotion with a modern production level.

Production: Moishe Roth & Moishe Yaakov
Arrangements: Eli Klein & Yitzy Berry
Composers: R’ Moshe Cheskie Weisz
Public Relations and Communications: Israel Rosen

Akiva Grumman and Shaya Gross are joining forces for a special innovation from the musical world of Vizhnitz Chassidim, “Valechl,” an ancient tune that sees the light of day in an innovative and invested production, with an arrangement by Moishe Yaakob and production by Shlomi Bookspan.

“Valechl” is an ancient and rare Chassidic tune, which was previously sung in the tish of the Rebbe of the Imrei Chaim of Vizhnitz, zt”l, and has been preserved over the years only among a select few, led by the late Rebbe of Czernowitz from Williamsburg, one of the greatest connoisseurs of the world of music. Now, the melody, which was previously known only to connoisseurs of the Chan tradition from the Chassidic court, has been revealed to the general public for the first time and revived in a sophisticated production.

Arrangement: Moishe Yaakob

Production: Shloimi Bookspan

Choirs: Shimon Leibowitz
Public Relations and Communications: Israel Rosen

Rising star Shmili Abels joins Chassidic singer Moti Goldman for a special and emotional musical project, the “Achat Sha’alati” medley. It is a special and fascinating journey through the great classics that are connected to the words of “Achat Sha’alti“.

The musical package was entrusted to Yanky Landa, accompanied by an extended ensemble of the ‘Cappella‘ choir, with a concept and meticulous vocal arrangement by Noti Rothman. Together, they all took the stage to perform the medley, which is now presented tastefully in an impressive music video.

Songs: Shmili Abels, Moti Goldman
Composer and vocal arrangement: Noti Rothman Choirs: Capella Choir Arrangement and mastering: Yanky Landau
Cover design: Zeira Photography: Nati Alber
Editing: Hershy Segal
Direction and orchestra management: Moti Friedman Event production: Isaac Stein – Shachakim
Public relations and media: Israel Rosen

Singer Yissachar Dror is back with a beautiful and moving new release, “Tefilat Habanim,” composed by Jacob Cohen.

Yissachar first heard the song while singing at a chuppah, when the bride’s brothers asked if they could sing a special song that had been composed in her honor. From the moment he heard it, Yissachar fell in love with the melody and knew it was a song he wanted to record and share.

To bring the song to life, Yissachar turned to David Ihilevich to produce and arrange the track — and the result is truly something special. The rich, beautiful arrangement has already become one of the first things listeners notice and comment on.

Credits

Produced & Arranged By: David Ihilevich
Composed By: Jacob Cohen
Child Soloist: Joseph Freue
Backing Vocals: Yissachar Dror / David Ihilevich
Vocals Recorded @ David Ihilevich Studios
Child Vocals Recorded @ Chase Kaplan Studios

Keys & Programming: David Ihilevich
Flute: Uriel Weinberger
Drums: Amir Aharon
Guitars: Ariel Aharon
Bass: Avi Yifrach
Mixed & Mastered By: Ronen Hillel
Graphic Design: SafdieMG · 718.757.2969

Special Thanks:
Shmuel Dror
Chase Kaplan

Spotify: https://open.spotify.com/track/1oPeMIq3qOQjB3nkdNXuy1

Apple Music: https://music.apple.com/us/album/tefilat-habanim-single/6804510967

YouTube: https://youtu.be/WMPwXEYk_dY?si=9bQQRpUS4IcN1NL8

24Six: https://24six.app/app/music/collection/21034

A joyful evening on the holiday, a card game forgotten on the living room floor, one guitar and a melody whispered into the phone in the middle of the night. That’s where “Shir Hapisgamim”, Chaviv Chaim Ben-Aryeh’s new single, began. But two years later, the story behind the song took a painful turn that gave it new meaning.

It happened four years ago, on the eve of Sukkot. Chaviv Chaim traveled with his family from Eilat to Moshav Ma’aleh, to stay with Yossi Biton and his wife. At the end of the holiday, when the children had already fallen asleep and the house had calmed down, he noticed a card game of Chabad proverbs that had been thrown on the floor. He began to connect the sentences, until the idea was born to turn them into a kind of “Chassidic sticker song”. Around 11:00 PM at night, he was already sitting in the sukkah with the guitar, and whispered the melody he had come up with into the phone.

About two years later, Yossi was killed in a car accident on his way home to his wife and children, at the end of the workday. From that moment on, the work that was born that holiday evening became a personal memory for Chaviv Chaim. And such a happy, optimistic and rhythmic song, which speaks of the ability to change, to do and to believe that everything can still improve, is dedicated to Yossi’s memory.

The text is built from a treasure trove of Chabad proverbs, and connects sentences one after another such as “Simcha Poretzes Geder”, “Ehov Es Habikores” and “Tova Pe’ula Achas Mayelef Anachos”, until a line that becomes To the chorus: “Im Rak Tachshov Tov, Yihiyeh Licha Tov.”
The melody is by Ben Aryeh, and the musical production is by Shiner [Efi Shiner], who created a contemporary and vibrant atmosphere.

“Shir Hapisgamim” comes after “Vitizrach“, which was a success and became a hit, and continues to pave the musical path of Chaviv Chaim through his unique combination of content full of hope and faith and music that touches the heart.

The month of Elul and the Days of Mercy and Forgiveness are a time of reflection, soul-searching, and preparation for the new year.
From this atmosphere was born the song “Aneinu” – a simple and sincere prayer, which asks us to stop for a moment, draw closer, and ask: “Answer us, Hashem, Aneinu.”

The song is performed by Yisrael Meir Chami from Argentina and Ben Tzion Ziv, in a performance full of emotion and power, which connects to the atmosphere of these special days.
The arrangement and musical production were entrusted to the duo Moishe Olachov and Chaim Deitch, who gave the song an innovative and unique arrangement.

May our prayers be accepted with mercy and will, and may we have a good, sweet, and blessed New Year.

Credits:
Composition: Yisrael Meir Chami and Ben Tzion Ziv

Arrangement and musical production, mixing and mastering: Moishe Olachov and Chaim Deitch
Recording and technical production: Overtone Productions

Stage Art presents: In the days when the king is in the field, Yanki Ausch releases a new medley that is all “Kirvat Elokim“, a series of moving performances with his unique voice, of songs of faith and closeness to the Creator of the world.

The special medley is performed by Yanky together with the Musicalish choir. Yehuda Galili is responsible for the precise arrangement.

Arrangement and musical production: Yehuda Galili
Vocal arrangement and choirs: Musicalish
Public relations and media: Israel Rosen

Singer Avichai launches a new and touching single: “Tavo Kimo She’Ata“. The new song is structured as a deep dialogue between man and his Creator. On one side – the voice of the man who is ashamed to approach the King with his sins in his hand. And on the other – the merciful answer: “Come as you are, just come”.

This is a song about repentance, about compassion, and about the door that is always open. Avichai Uzan‘s delicate arrangement gives room for words and emotion, and reminds us all that we do not have to be perfect to get closer.

Avichai, with a unique voice and an exciting presence, brings a universal message in this song that is suitable for the entire year. The door is never closed, and what is needed is to simply come.

Lyrics and music: Avichai

Arrangement and musical production: Avichai Uzan – AUStudio
Keyboards, programming and recordings: Avishai Uzan – AUStudio
Vocals: Avishai
Mixing and mastering: Meir Shiloni
Cover design: Oligraph
PR: BaFront

In Rabbi Nachman of Breslov’s book, ‘The Life of MoHaran’, one of the most moving and profound sayings spoken to the Chassidim who made the journey to him is quoted: “I wish I could see the light of the bright path that you are traveling to me.” This saying, which expresses the appreciation and longing of the tzaddik for every step, difficulty and effort of those who walk the path, has become a clear symbol of both the spiritual and physical journey. From the deep connection to these words and the meaning of the path to our Rabbi, singer Moti Carmel now presents a special musical project on the path to the artist.

The new medley weaves together a series of familiar and beloved melodies that have become the soundtrack of the Breslov Chassidim over the years. At the center of the work is The theme song by Bini Landau, “Or Behirut HaDerech“, is joined in a lively and energetic arrangement by the songs “B’Breslav Boeret Aish”, “K’Chayot Hanohamot Baya’ar”, “Tenu Li Et Libchem”, and “Bicha Rabeinu Nagila” by Yisrael Dagan. The result is a captivating and authentic musical journey that is expected to accompany the travelers to Uman on their journey.

Musical production: Moti Carmel and the Friends
Original compositions and performances: Bini Landau, Yisrael Dagan
Concept Moishe Irgas
Public relations and media: Israel Rosen

Two weeks before the traditional Selichot evening in Jerusalem, Pini Einhorn releases a live album, which captures the greatest moments from last year’s Selichot, without edits or corrections. Those who were there remember the crazy combination that is difficult to explain in words: energy that shakes the hall alongside tears and the outpouring of the soul of thousands of Jews singing together from the bottom of their hearts.

This is not another musical project for Elul, but a live experience of a completely different kind. Just press play in your car, turn it up, and there won’t be a dry eye. The album’s release coincides with the opening of ticket sales for this year’s Selichot evening at the Ramada Hotel, which has already become one of the highlight events of the High Holy Days.

“Vahevi’otim” on YouTube:

Production: Yonatan Yechiel

Artistic direction: Moishe Roth

Musical direction: Avia Greenberg
Public relations and communications: Israel Rosen

There is a Chosson in Bnei Brak! The annual project of the Malchut Choir, Ushi Landsman and the singing greats.

After the three episodes of the ‘Ain Bnei Brak‘ series that became the hottest hits every summer – ‘Chasuna in Bnei Brak‘, ‘Kabalas Panim in Bnei Brak‘ and ‘Kadatshke in Bnei Brak‘, the Malchut Choir, conducted by Pinchas Bichler, together with Ushi Landsman, are now presenting the fourth episode in the series entitled ‘A Chosson in Bnei Brak‘ – A Chosson in Bnei Brak!

Unlike the first three episodes in the series that opened a window to the music stages of the most vibrant Jewish wedding city in the world – Bnei Brak, with the participation of all the great Chassidic singers and artists, this time the spotlight is turned specifically to the big moments of the Chosson’s engagement and the excited preparations for the wedding.

Starting from the moment the festive ‘vort’ closes, through the colorful reception of the members at the yeshiva, and ending with the groom’s shopping spree and energetic arrangements for his big day. In between, the groom arrives to invite the chosen artists to the wedding. It is here that he learns a chapter about the nature of a Chassidic melody…

The one who conceived the project, wove the playlist and the vocal arrangement and wrote the ‘strategic’ script is the royal conductor Pinchas Bichler, with the king of keyboardists Ushi Landsman in charge of the musical production.

And as always, the big names, old and new, grace the project – Ahrela Samet, Yoeli Klein, Mendy Weiss, Yossel Leifer, Moti Goldman, Yidela Manheim and Chaim Alter.

The one who is extending its patronage to the project is the Chassidim Center chain with its variety of luxury stores that were the warm home of the bride and groom and their groomsmen upon the arrival of the wedding. Chief among them is the Chassidic clothing giant GB – the most coveted super brand of grooms of our generation, alongside the Chassidic department store Chassidish, the gift shop Yokera Shebi’ohr and of course the prestigious eyewear giant of the Charedi sector – Vista, in the luxurious complex.

The ‘Bloom’ fruit and praline boutique is responsible for the juicy, green and savoury culinary delights of the ‘Vort’ and at ‘Hertz’s Shtreimelach’ they are busy preparing the elegant shtreimel for the groom.

Credits:
Arrangement: Ushi & Naftali Landsman
Mix: Chaim Mozes
Recorded at the studios: Yonatan Blau, Avi Reimi, David Taub
Direction, editing and color: Hershy Segal
Production: Avraham Yitzchak Shidla
Logistics: Bnei Barzel
Cover design: Zeira
Photography: David Orian, Nachman Alber
Lighting: Arthur

Music:
A Groom in Bnei Brak – Mona Rosenblum. Original performance: Eli Hertzlich
Chasidim and Anshi Maase – Meir Adler. Original performance: Israel Adler
Chosson Domeh Limelech – Lipa Shmeltzer
A Simcha – Aharon Lebedev (originally: Romania). Lyrics and original performance: Lipa Schmelzer
Biglal Avos– the author of ‘Nachalat Dan’ from Modzietz ztz”l
Mazal Bracha – Yossi Green. Original performance: Michoel Schnitzler
A Ge’hoibene Zman – Yeddle Werdiger
Ich vel Tanzen – Antshy Friedman. Original performance: Avraham Mordechai Schwartz
Chosson Domeh Limelech – Mona Rosenblum. Original performance (Melech Melech): Mebad

Yisrael Hirshman presents: This is what the reception of an acappella choir member Ari Salmanovitz looked like. Members of the exciting choir perform in a new and exciting music video together with the musicians Yoeli Davidovitz and Chaim Pollak.

Especially moving moments were recorded at the wedding of Ari Salmanovitz, when his choir members gathered in an extended ensemble to welcome him with a special and emotional musical medley.

The extended choir, conducted by Nuti Rothman, performed a medley that was built especially for the peak moments of joy, together with their musicians Yoeli Davidovitz and Chaim Pollak.

During the medley, new emotional melodies were interwoven alongside old and beloved melodies, with the combination of the voices of the choir members and the musical accompaniment making the reception an unforgettable occasion.

For the chosson, who every day stands on stage with his friends and makes other chassanim happy, it was his turn to stand in the center. When the friends around him began singing in his honor, the excitement was clearly visible on his face and during the melodies, tears of excitement even flowed from his eyes.

Credits:
Music: Efraim Markowitz
Song arrangement: Nuti Rothman
Choirs: A Capella Choir
Mix: Avi Reimi
Songs: Yoeli Davidovich, Chaim Pollak
Clarinet: Nathan Ettinger
Cover design: Zeira
Stage design: Shlomi Cohen

In the midst of the days of Elul, when hearts open and the atmosphere is filled with emotion and longing, the boy prodigy Shay Viner and musician Amiran Dvir meet on the piano for a bare, honest and soulful musical moment, with the hit “Riboin” originally performed by Beri Weber. It is a performance full of depth, which connects exactly to the prayers of this period.

The current performance is published shortly after the release of the rhythmic single “Yeled Trampolina“, which highlighted Viner’s versatility. These days, Shay continues to work intensively in the recording studios on a series of original and intriguing projects that are expected to see the light of day soon.

Production – ADSD-studio
Piano: Amiran Dvir

Photography: Yaakov Salem

Clip editing and graphic design: Daniel Peretz
Public relations and communications: Israel Rosen

In the midst of the Days of Mercy, Shmulik Sukkot presents “Selichot,” a live, sweeping and emotionally charged performance that combines the best melodies of the period with a rich musical production. He was joined on stage by the “Neshama” choir conducted by Itzik Filmer, and an expanded orchestra conducted and arranged by Benny Laufer, who together created a tight musical envelope, full of power and authentic Jewish soul that takes you directly into the atmosphere of the High Holy Days.

The moving performance was recorded and filmed during a special event of the organization ‘B’Lev Echad‘ produced by Isaac Geffen, with the accompanying music video featuring the musicians and the organization’s members, in moments full of joy, emotion and warmth.

Planning and production: Isaac Geffen
Musical direction and arrangement: Benny Laufer

Choir: Neshama- conducted by Itzik Filmer
Public relations and media: Israel Rosen

After the two singles “Abba Toda” and “Rak La’alot“, which won the audience’s love, singer and songwriter Jonathan Israel launches his third song – “Lehiyot Acher“, which he wrote and composed himself.

The song deals with the desire to move forward, change and become a better version of ourselves, alongside the fear of change and the unknown. It is precisely from this place that the message comes – not to be afraid to spread your wings and choose the good.

The single is released at the beginning of the month of Elul, and takes on special significance as a month of soul-searching and awakening. It is arranged by Avi Reimi and Yair Bodner, and with a personal, moving and authentic presentation by Jonathan Israel. The song is accompanied by a music video in a special acoustic style accompanied by the orchestration of Nathan Klein, which adds a connecting atmosphere to the performance.

Lyrics and music: Jonathan Israel
Arrangement and production: Avi Reimi & Yair Bodner

Recordings and mixing: Avi Reimi
Voices: Jonathan Israel

Photography: Nachman Alber

Editing: Yossi Ben Shimol
Cover design: Graphic Nadav

PR: BaFront

What started as a short track that swept the stages and the internet, quickly became one of the most requested tracks of the wedding season. Now, following countless requests from the field, singer-songwriter Moyshi Presberger is releasing the hit “Invei Hagefen” in its official version, with an arrangement and production by artist and songwriter Yochanan Uri.

“At every event I attend, the audience simply does not give up and asks for ‘Invei Hagefen,’ and the decision to enter the studio and record a full version was inevitable,” shares Presberger. “This song is dedicated with all my heart to all the couples who have already gotten married and to all the brides and grooms on their way to the wedding. I wish it will always be ‘Davar na’eh umiskabel-a beautiful and acceptable thing,’ and we will meet in joy!”

Composition and lyrics: Moyshi Presberger
Arrangement and musical production: Yochanan Uri
Public relations and media: Israel Rosen

Soldiers of truth is a song formulated from the words of chayalim at Beit Binyamin, a retreat center in Tzfat dedicated in memory of Binyamin Airley H”YD who fell in Gaza November 18th 2023.
The words hit hard.
In a time that the world tries to illegitimate our fight, this song tells our WHY

We fight for the truth.
The truth of the everlasting existence of Am Yisrael, we are here to stay no matter what comes our way.

Credits:
In collaborating with Beit Binyamin
In Honor of those Protecting Am Yisrael
Written by: Soldiers at Beit Binyamin retreat
Lyrics arranged by: Moshe Schweky
Performed by: Shlomo Lipman
Video directed by: Yaakov Citron
Actor: Yehudah Airley
Gaffer: Liel Shalom
Production assistant: Shraga Fein
Video produced by: CitronFilms
Song produced by: Moshik Landau
Mixed and Mastered by: Ronen Hillel
Streaming services album cover art by Jordana Hanono

In preparation for Shabbat HaMalka, Tzviki Rand hosts Sochi Goldstein and Hershy Segal for a special and moving performance of the song “Amra Shabbat” by composer R’ Cheski Weisz. The special composition is a direct continuation of Tzviki’s Shabbat project “Noam HaNeshamot”.

The song touches on the profound point of the famous dialogue between Shabbat and Hashem, regarding her request for a spouse and the divine response that the children of Israel will be her spouse and will guard her devoutly. Together they will form one unit of holiness, rest, and a deep spiritual connection.

Composition: Chezki Weisz

Arrangement and musical production: Avi Reimi & Yair Bodner
Public relations and media: Israel Rosen

In the atmosphere of the days of mercy and forgiveness and the preparation for the High Holy Days, singer and songwriter Kobi Mirsky releases a new, moving and touching single called “Horeni Hashem“. The lyrics are taken from Tehillim, and the deeply personal melody is by Amon Mirsky himself. The arrangement and musical production by Yehuda Galili.

“Horeni Hashem” comes after a series of impressive projects by Kobi from the EP album that is being released in stages, with the most notable of which “Tatte” becoming a huge hit and expected to star on this year’s charts. Kobi‘s diverse mosaic is expected to continue soon, with the completion of the EP album, and in general.

Composition: Kobi Mirsky

Arrangement and musical production: Yehuda Galili
Public relations and media: Israel Rosen

In preparation for the Days of Rachamim and Selichos and the Yamim Noraim, the ‘Heilig & Musikalish‘ project launches a new and exciting single-clip called “Areshes“. The joint performance brings together singer Shulem Lemmer with arranger and composer Dudi Kalish accompanied by the ‘Yedidim‘ choir, for a melody full of majesty and emotion that takes us straight into the sublime atmosphere of tefilah .

The clip was filmed in the magnificent hall of the famous ‘Beit El‘ synagogue in Borough Park, in preparation for the Yamim Noraim Tefillos that will be held there. The combination of the nostalgic melody, the rich arrangement and the historic hall creates an uplifting experience of prayer, longing and transcendence.

Arrangement and musical direction: Dudi Kalish
Choir: Yedidim Choir
Public Relations and Communications: Israel Rosen

A Prayer Under the Chuppah — Aryeh Brody Releases “Tefilas Chuppah”

Aryeh Brody presents “Tefilas Chuppah,” a heartfelt new song inspired by the sacred tefillos of a chosson under the chuppah.

Written and composed by Brody, the song expresses the hope to build a bayis ne’eman filled with kedushah, taharah, and the presence of the Shechinah.

With warm musical production by Eliyah Netali, “Tefilas Chuppah” captures the faith, emotion, and prayer of beginning a new life together.

Credits:

Singer: Aryeh Brody

Lyrics and Composition: Aryeh Brody

Music Production: Eliyah Netali

Digital Marketing By: Motty Klein @MusicOnTime

Singer and composer Shmuel (29) has become one of the most fascinating, profound and beloved voices in Jewish music in recent years, thanks to hits like “Ten Li Tefilla” and “Nekudot” that have captured radio stations and hearts.
On his way to his debut album, Shmuel has recently released several songs – “Ani Mevorach”, the duet “Kol Pa’am Maychadash” with Yishai Ribo – and now, in the spirit of the Days of Mercy and Forgiveness, Shmuel is releasing a new and touching single: “Licha Livadcha” that is suitable for every moment in a person’s life.
In the song, Shmuel presents a holy and open confession, which begins with the chilling words:
“”לך לבדך חטאתי ולא לאף מלאך / ביני ובינך משפטי, א-ל טוב וסלח”Go alone, I have sinned, and not against any angel / Between me and you are my judgment, God is good and forgiving”
The song, which speaks of the direct, direct and intimate connection of man with his Creator, moves between a deep personal plea and a collective cry for the people of Israel. In a text full of layers, about the path that every person goes through and on the other hand – about the infinite mercy of the Judge of Truth:
“Only before you is the God who judges the whole world in the measure of the merit of every living being justified”
And a heartfelt request, in the difficult days that are passing us by:
“Please, Hashem, have mercy on your desolate home and send healing to your land / Have mercy on my heavy body and my mute heart and my weary soul… For who will have mercy on your children if not you”.
“Lech Livadcha” is another single from the new album, which is due to be released in the month of Kislev, which is coming upon us for good.

Lyrics and music: Shmuel

Musical production: Maor Shoshan

The yearning for the Redemption cries out from every Jewish heart. Every day, we say, “Ani Maamin be’emunah sheleimah beviat haMashiach.” Today, this timeless declaration is re-ignited through a holy, new melody for “Ani Maamin,” composed by R’ Elimelech Blumenberg, performed by his son Avrumy, followed by the Yossi Glick choir.

As each day brings us closer, the heart of Klal Yisrael will never stop singing “Ani Maamin.” Even if it takes longer, we will wait every single day. We will continue to strengthen ourselves with perfect faith that he is coming today, and that we will return home to Jerusalem very soon. Amen.

Credits:

Produced by: Volume Studio

Composed by: R’ Elimelech Blumenberg

Performed by: Avrumi Blumenberg

Arranged by: Moshe Laufer

Choirs: Yossi Glick – Shevach Studios

Mixed and Mastered by: Shlome Wechter

Digital Marketing by: Motty Media & Music Velt

Creator and musician Yinon Tayeb opens the Days of Mercy and Forgiveness with a contemporary arrangement in a Jewish groove and world music flavors of the piyut ‘Bizachri Al Mishkavi,’ on the way to a new album and a ‘Masa Al Haruach’ show.
With the beginning of the month of Elul and the Days of Mercy and Forgiveness, musician and composer Yinon Tayeb releases a new single: ‘Bizachri Al Mishkavi‘ – a refreshing and contemporary arrangement, in a Jewish groove with world music flavors of the ancient and well-known piyut attributed to Rabbi Yehuda Ibn Bilam. The new arrangement gives a fresh and surprising musical angle to one of the most prominent passages in the prayers of forgiveness.
Tayeb‘s connection to “Bizachri Al Mishkavi” was born from an ongoing experience during the prayers. “I have a relationship with this piyut for years,” he says. “Every year when we came to ‘Bezachri al Mishkavi‘ at Selichot, I naturally heard a reggae rhythm and groove in it. Something in the weight and flow of the lyrics always made me think that one day I would record it and give it this interpretation.”
Along with the rhythmic rhythm, Tayeb also connects to the depth of the pleading lyrics, which are based on verses from the Sefer Divrei Hayamim and bring to the forefront the plea for mercy and repentance. “This year I felt that the time had come to turn the feeling that accompanies me at every Selichot into a real work,” he explains. “The desire was to take the deep atmosphere of Elul and connect it to my musical language – original and contemporary Jewish music.”
In the years that have passed since the release of his first album “Baintayim” about 14 years ago, Tayeb has continued to create and release diverse singles, including “Oseh Shalom” and a reggae adaptation of “Lecha Dodi.” Alongside his work in his home studio, where he composes and produces his new songs, Tayeb currently combines his daily routine as a blessing with producing events in Jerusalem. “For me, music is a way to connect contemporary creation, Jewish sources, and a message of faith and closeness,” he notes. “Bizachri Al Mishkavi” joins a series of singles Taib has released in recent months (“Gur Aryeh Yehuda,” “Uvnay Otah,” and “Vayehi Binsoa Ha’Aron”). These songs are stops on the way to a full album and “Masa El Haruach” – a personal musical performance that combines original music, a personal story, and words of awakening from the worlds of Chassidus and Kabbalah, with a connection to the cycle of the year and also suitable for Selichot and awakening evenings.

ome songs are born from a thought, and some songs are just waiting for someone to stop and create them.
“Rotzeh Rak Otcha,” Eyal Bogat‘s new single, began with a tune he had been singing for years while studying the Gemara. From there, the lyrics, the melody, and the song that developed while working in the studio were born. The song was arranged and produced by David Ichielevich [Ishay Ribo]. Almost by accident, “Rotzeh Rak Otcha” became the first song the two worked on together: Bogat played Ichielevich a song he didn’t even know how to play, and David immediately said, ‘This is the first song we’re working on.’ What was planned to be a sketch developed into a real production in two days.

The lyrics touch on the desire to do the right thing, without turning Hashem’s work into calculations of reward and result. Until the moment when everything boils down to one simple sentence: “Rotzeh Rak Otcha.”
Eyal composed this idea in the words of the Alte Rebbe, “I desire neither your heaven nor your next world, I want you for yourself,” and gave it expression in his own words and in today’s language.

Musically, the song goes to a completely different place: a contemporary production with touches of deep house, a rhythm that brings with it a rhythm and a lot of exploding joy. It is no coincidence that it comes out precisely at the beginning of the month of Elul, a time of contemplation and closeness, but also of “Ivdu Es Hashem Bisimcha”

This is Bogat‘s second song, after “Chibuk Preida,” which was written following his service in the Yaser unit for the rescue of fallen soldiers, moved hundreds and received extensive and laudatory media coverage. This time he tells a different story, but continues from the same real place from which his music began, life itself.

At the beginning of the month of Elul and in anticipation of the High Holy Days, Yaakov Shwekey releases a new single called ‘Elul‘. Lyrics and composition by Yitzy Waldner and musical production by Maor Shoshan.

The month of Elul is a time when we quiet the hustle and bustle of everyday life, open our hearts, and find our way back to Hashem. It is a month that reminds us that even if we feel distant, Hashem is right here and waiting for us to take the first step. As the verse “Ani Lidodi ViDodi Li” suggests, when we turn to our Father in Heaven, He draws us closer to Him. The song ‘Elul’ reminds us to take advantage of this precious time when the King is in the field, and Hashem is right with us, expecting and waiting for us with open arms. Lyrics and composition by Yitzy Waldner and musical production by Maor Shoshan.

Singer and composer Elad Eldad launches “Sheas Harachamim” – a new and exciting single written and composed especially for the month of Elul, in connection with the days of mercy, forgiveness and awakening.

The song incorporates a unique textual code based on acronyms related to the essence of the month of Elul, giving the work an additional layer of depth.

The arrangement and musical production is entrusted to the composer and arranger Maor Chaim, who, together with Elad, creates a rich and exciting musical composition that puts the listener in the atmosphere of the High Holy Days.

Credits:

Lyrics and composition: Elad Eldad
Arrangement and musical production: Maor Chaim
Recorded at: Maor Studio Mixing and mastering: Maor Chaim
Still photography: Rami Zarnagar
Cover design: Ollygraph
PR: Viral

Singer, cantor, musician and composer Moshe Zaretsky launches a new and exciting single: “Heyay Na“, from the “Aneinu” prayer.

Zaretsky, who creates from a deep connection to the Jewish world, Tefilla and Emunah, brings in the new work a combination of the world of cantorship and prayer with a contemporary and accessible musical sound. The song touches on issues of faith, hope, coping and connection to Hashem, and invites the listener to a moment of intention and contemplation.

In recent years, Zaretsky has been active in the musical and Jewish arena, presenting a personal voice that connects heart, words and melody from the Israeli-Jewish story.

Lyrics: from the “Aneinu” prayer

Composition: Moshe Zaretsky

Arrangement and musical production: Nadav Biton and Netanel Ben Giat
Voices: Rotem Cohen
Mixing and Mastering: Sharon Reis Galim Studios
Cover Design: Elia Ezra
PR: BaFront

As Elul begins, Yehuda Green presents “Shuvu Elai,” a fast-paced and uplifting song created for this meaningful season.

The new release brings the timeless call of teshuvah to life with warmth, energy, and joy, carrying Yehuda Green’s signature sincerity and unmistakable musical spirit.

With its lively melody, “Shuvu Elai” reflects the joy of knowing that every Yid can reconnect, return, and begin again.

The words “Shuvu Elai” remind listeners that the door to Hashem is always open, capturing not only the seriousness of Elul but also its hope and possibility.

Avrumy Lunger’s vibrant arrangement and polished mix give the track a fresh, energetic sound, making “Shuvu Elai” an inspiring soundtrack for the journey toward the Yamim Noraim.

Credits:

Composed & Sung By: Yehuda Green

Music Arranged & Mixed By: Avrumy Lunger

Choir By: Michoel Weinberger

Cover: Yossi Zweig

Digital Marketing By: Motty Klein @MusicOnTime

The chuppah at a chasunah represents the deep connection that Klal Yisroel has with Hashem.  Rashi tells us that at Har Sinai, Hashem, so to speak, came out to greet the Yidden, just like we see the Chosson does by taking three steps to greet his kallah at the chuppah.

L’shem Yichud Kudsha B’Richu Ushechintai- we say this before doing mitzvos because each time we do a mitzvah we set our intention to recreate this beautiful bond between us and Hashem.  We must internalize that Hashem gets incredible nachas and enjoyment from each mitzvah that we do.  He waits and anticipates our avodah, and knowing this is the true “Simcha shel Mitzvah”.

Take a moment at the next chuppah you are at to think deeply about what it represents.  This connection is often missed, but it is such a perfect time to meditate on the beauty in front of you and the fact that this experience is a mashal for our holy relationship with Hashem.

Produced by Mendy Portnoy
Directed by Binyamin Babayof
Gaffer – Lucas Ruderman
Grip – Maxwell Geofffrey
Assistant Camera – Chaim Gerlitz
Casting by Shalom Dershowitz

Cast: Chaim Ghoori, Tova and Meir Dershowitz, Alexandra and Yehuda Schupper, Eitan and Rachel Perlysky

Singer Shmulik Teitelbaum and keyboardist Yossi Rosenfeld are joining forces for an exciting and special musical project “Levi’s Nistarot“, designed to shed new light on the great and lesser-known works of the great singer Levi Falkowitz. The idea was born from Shmulik‘s deep and long-standing connection to Falkowitz‘s early albums, along with the desire to take hidden parts and present them to the audience in a current, authentic and powerful arrangement.

Naftali Landsman was entrusted with the arrangement and musical production, joined by the impressive voices of the members of the “Cappella” choir, who add volume and rich Chassidic harmony throughout the video.

Musical arrangement and production: Naftali Landsman

Voices: A Capella Choir

Production and management of the Avraham Yitzchak Shidla Project
Public relations and media: Israel Rosen

Some melodies are timeless. Some words are eternal. And every so often, they come together in a way that feels truly unforgettable.

At a recent wedding at Lake Terrace, The Shea Kaller Band introduced a heartfelt new rendition that moved everyone in the room.
The beloved melody of “Tatteh Tatteh”, originally performed by Yaakov Shwekey, was beautifully paired with the timeless words “I’m Eshkocheich”, a verse recited beneath chuppahs around the world every single night.

Performed by Shea Kaller, alongside Zanvil Weinberger, Shmueli Ungar, and the Yedidim Choir, this special rendition is sure to become a favorite for weddings and joyous occasions.

May we always merit to celebrate simchos together, and may the words “Im Eshkocheich Yerushalayim continue to remind us that even in our greatest moments of joy, our hearts remain connected to Yerushalayim.

Credits:
Music by: Shea Kaller Band
Arranged by: Shea Kaller
Performed by: Zanvil Weinberger, Shmueli Ungar & Yedidim Choir
Live sound: Dynamix Productions
Live sound engineer: Eli Leshinsky
Video filmed & edited by: Motty Engel – Engel Studios
Mixed by: Mendy Friedman
Cover design: Yechiel Landman
Project & stage manager: Yehuda Lubin
Yiddish lyrics: Hershy Weinberger
Israeli PR: Control

Special thanks to: Duvid Shtendig & Shaindy Katz